Always the most controversial album in Motörhead’s catalogue, Another Perfect Day was up against it from the start. After former Thin Lizzy guitarist Brian Robertson replaced Fast Eddie Clarke, the band’s sixth studio album presented what Lemmy called a more “musical” approach, the classic line-up’s full-tilt ferocity harnessed to more traditional guitar rock tropes enhanced by carefully crafted production. In 1983, it was initially startling to hear Lemmy and Phil’s patent hell-bound express draped in Robbo’s effects-laden multi-storey guitar overdubs instead of getting hot-wired by Eddie’s deceptively complex thermonuclear blues riffs and embellishments. Following the likewise lambasted Iron Fist and its reappraisal, Another Perfect Day stands before us, forty years on from the turbulent time that spawned it, as an inevitably divisive one-off chapter in Motörhead’s chaotic early history. Forty years on, Another Perfect Day holds its own as this most surreal detour in Motörhead’...
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