Skip to main content

Monolord Share Title Track 'Rust' From Upcoming Album



Full Image



Monolord Release Single And Title Track 'Rust' From New Album Out September 29th


Gothenburg, Sweden trio Monolord share the title track and details on their highly anticipated third album Rust. The song features John Gamino (Mondo Drag) on keyboards and Trevor Church (Beastmaker) playing a guitar solo at the end of the tune. 

Hear and share “Rust” via YouTube and Bandcamp.
https://www.youtube.com/watch?v=YX4HwEAF_Eo
https://monolord.bandcamp.com

Monolord is a rare breed: A band both encompassing and transcending genre; a vortex of heavy rock density that consumes all others. Their thunderous, tuneful heft has built a rabid international fanbase in short order since their 2014 debut. But Rust, the band’s third full length, truly exemplifies why some refer to them as the Nirvana of doom.

Monolord’s enveloping, syrupy sludge is a vibe, it’s a state of mind. Not riffs for riffs sake, but a collective buzzing, rattling and rumbling that’s more total environment than collection of songs. Together, guitarist/vocalist Thomas Jäger, drummer Esben Willems and bassist Mika Häkki create a massive, dynamic sound with ultra-low frequencies serving as its fourth member.

“We’ve always been inspired by great band musicians – as opposed to technical solo peacocks,” Willems says. “Because that force of a band really playing together as one single unit is incomparable. At its best, it’s just unstoppable.” And, Monolord is truly unstoppable, on record and on stage. “A heavy groove that contains both bombastic overkill and a lot of dynamics is what we always aim for in Monolord; in playing, in song writing and arranging, in recording,”

Willems says.
Album opener “Where Death Meets the Sea” perfectly exemplifies their mastery of dynamics and hooks with a driving, infectious buzzsaw riff that lesser bands would ride off into the sunset, but Monolord uses subtly to spur the song’s skull rattling rhythmic core ever onward. Jäger’s watery vocals glide over ominously building verses that erupt with the song’s insistent refrain. Being such a tight rhythmic unit, it sounds almost like an early ZZ Top record played at half speed. “Dear Lucifer” squeals and hums with slow deliberation as Willems summons Dale Crover pummel with chasm like low-tuned toms and syncopated cymbal crashes. The album’s title track is also its centerpiece, opening with a dramatic, shimmering Hammond organ intro as Jäger sings, “you are the reason that I lied/ You are the reason that I cried/ Please don’t wait until tomorrow/ There’s only pain, hate, grief and sorrow.” Suddenly, the band kicks in with a bellowing line downtuned to B that nosedives down the guitar neck as the drums hammer down for the kill. Elsewhere, tastefully understated guitar harmonies elevate the behemoth churn of “Wormland” and apocalyptic album closer “At Niceae” simmers in a slow build of rumbling guitars and rolling drum triplets.

Monolord formed in 2013, quickly recording their 2xLP debut Empress Rising, which RidingEasy Records released in April 1st, 2014. The second album, Vænir, followed April 28th, 2015. The 2-song Lord of Suffering / Die in Haze EP was issued in late 2016 amid the band’s relentless touring schedule in order to tide fans over until the next full length. Vænir landed on countless Album of the Year lists in 2015, and Rust is poised to open an entirely new range of possibilities for Monolord.

Rust will be available on LP, CD and download on September 29th, 2017 via RidingEasy Records. Pre-orders are available at RidingEasy and Bandcamp.

Artist: Monolord
Album: Rust
Label: RidingEasy Records
Release Date: September 29th, 2017

01. Where Death Meets The Sea
02. Dear Lucifer
03. Rust
04. Wormland
05.Forgotten Lands
06. At Niceae



Full Image


Monolord will join UK Doom Trio Conan on a gargantuan co-headline 21 date roll over the Continent.

Starting at the Soulcrusher Festival in Nijmegen, Holland on October 7, 2017 it takes in France, Spain, Belgium, Denmark, Czech Republic, Austria, Switzerland and Italy before winding up twent-one days later in Siegen, Gemany.

MONOLORD + CONAN

07.10.17 NL - Nijmegen / Soulcrusher Festival
08.10.17 FR - Paris / Le Glazart
09.10.17 FR - Nantes / La Scene Michelet
10.10.17 FR - Bordeaux / Le Void
11.10.17 ES - Barcelona / Razz 3
12.10.17 ES - San Sebastian / Dabadaba
13.10.17 FR - Lyon / Jack Jack
14.10.17 FR - Audincourt / Le Molodo
15.10.17 BE - Antwerp / Desertfest
16.10.17 DK - Aarhus / Atlas
17.10.17 DE - Hamburg / Bambi Galore
18.10.17 DE - Berlin / Musik & Frieden
20.10.17 DE - Dresden / Morbus Maximus
21.10.17 DE - Munich / Keep It Low Festival
22.10.17 CZ - Brno / Kabinet Muz
23.10.17 AT - Vienna / Das Bach
24.10.17 CH - Olten / Coq D'or
25.10.17 IT - Bologna / Freakout Club
26.10.17 IT - Milan / Bloom
27.10.17 CH - Winterthur / Gaswerk
28.10.17 DE - Siegen / Vortex
www.ridingeasyrecords.com

Comments

Popular posts from this blog

IN FLAMES Discuss Writing & Recording Process In First Album Trailer

On March 1st, Swedish legends IN FLAMES will unleash ther thirteenth studio album, I, The Mask, via Nuclear Blast (worldwide, excl. North America) and Eleven Seven Music (North America). After rave reactions from their fans for the first singles, the band unleashes the first album webisode, in which singer Anders Fridén and guitarist Björn Gelotte discuss the writing and recording process in Los Angeles and why they once again decided to work with multi-grammy-nominated producer Howard Benson. Watch the trailer, here: youtube.com/watch?v=U5yFhH9SArU

In addition, IN FLAMES have announced the first raft of names for their own annual festival, BORGHOLM BRINNER, that is due to take place on the isle of Öland in Sweden on August 2nd and 3rd, 2019. Prog masters OPETH as well as melodeath pioneers AT THE GATES and California's OF MICE AND MEN have confirmed their appearance at the two day festival. IN FLAMES will headline both nights.

The pre-order for I, The Mask as well as several exclus…

Band-Maid MCM Comic Con Live Review/Feature - Fringe Festival 29/5/16

J-Rockers Band-Maid make first European performance at huge MCM Comic Con

Band-Maid, one of Japan’s up-and-coming all-girl rock acts, made their live debut to UK/Europe at MCM London Comic Con, which took place from 27-29th May 2016 at ExCel London, hosting the UK's biggest Modern Pop Culture Event.


The Tokyo quintet who formed in 2013, consisting of Miku (guitar/vocals), Saiki (vocals), Kanami (guitar), Akane (drums) and bassist Misa – have been building quite a reputation and fan-base all over with their blend of cute yet deadly rock music and stand out imagery (appropriately dressing as maids) whilst they unleash and deliver their seriously skilled and striking sounds. The concept of the maid outfit aesthetic stems from founder Miku’s experiences in the maid cafes of Akihabara – the Tokyo district known for otaku (‘geek’) culture and passion for rock music.


Through their music videos they have been reaping success and gaining well deserved attention, especially for the videos f…

REVIEW: Spreading The Disease - Insurrection

Modern metal quartet Spreading The Disease from Kent, UK formed in 2014 and then earlier this year in September 2017 they finally unleased their debut album ‘Insurrection’ which shows they are ready to infect metalheads and critics alike with their no-nonsense sounds…
Opening song ‘Find My Path’ starts with a melodic and resonant intro before fierce vocals come in with hard-hitting heavy guitars, it then goes on to feature an effective stripped back section towards the end which gives it extra depth. This is a powerful and strong start to the album.
‘Words Unspoken’ is a thumping tune with great rhythms and is very headbang worthy and incredibly catchy, keeping up the momentum is self-named track ‘Spreading The Disease’ which immediately pulls you in with catchy melodies and is all consuming with mighty riffs and a massive aggressive sound.
Latest single ‘Greed’ is frantic and driven and features some of the best guitarwork so far and again is very belligerent and is bound to get the mos…